You’d think being forced to stay indoors, hiding from the sun and shunning close contact with other humans would be pretty easy work for goths. In reality of course, we’re just as hungry for interaction as everyone else – so it’s a joy to concentrate on celebrating World Goth Day 2020 even if we’re restricted to only what we can experience through our screens.Continue reading
Right now, we should all be in Whitby enjoying the sounds, shopping and socialising with our favourite festivals. Instead, of course, all is delayed. So I thought I’d publish my review of last November’s Spa event, Tomorrow’s Ghosts Winter 2019 festival – let’s remember how it was and look forward to when it will be again!
In the meantime, you can get online and browse some of the traders that would attend Whitby Goth Weekend or the Art D’Morte Exhibition.
I should lead with a confession. The first Sisters album I listened to was 1987’s Floodland, and it made a more significant impact than their debut ever did.
How could it not? Eldritch was in top form, flush from victory over his treacherous minions and armed with the pulchritudinous Patricia Morrison and devoted Doktor Avalanche to produce his ultimate vision of The Sisters of Mercy. The techno-experimentation of the ‘Sisterhood’ era gave way to a polished collection of icy synths and sneering superiority led by three of the finest singles the band has ever produced. Less than a week ago I saw The Sisters of Mercy live and they ended on the triumph that is This Corrosion – still a potent weapon in the band’s live arsenal.
And yet, for all Floodland is a finely honed, bombastic blast of Sisters creativity, it is to First and Last and Always we must look for what I believe to be the ‘truest’ sound of this most definitive band. To many fans, the cowboy-hat wearing smoke-wreathed silhouettes are the golden-age lineup – Gary Marx, Andrew Eldritch, Wayne Hussey and Craig Adams, clawing their way up the indie charts and into WEA’s signing book, before breaking into America in debauched and doom-laden style.