Whitby Goth Festival 2025

Even now, adventurous early bats – sorry, birds – will be making the arduous journey to the North Yorkshire coast for Whitby Goth Festival, Spring 2025. Or should that be Whitby FOMO Festival? Like many more, I won’t be attending this year – for a myriad of causes including the significant cost and investment of energy. Nonetheless there is the most ambitious array of events in the town I’ve ever seen, that I definitely do want to signpost to attendees new and veteran!

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Leeds Goth Hall of Fame Announced

Whenever I’m lucky enough to share my passion for the goth subculture with people, I always anticipate fielding derisory or dismissive views. I smoothly correct them, insisting instead that we should celebrate the worldwide phenomena that is goth – a music genre that emerged from the confusing wreckage of punk, post-punk, futurism, New Wave and more, only to outlast so many subsequent alternative music scenes like numetal, grunge, emo and more.

Well it’s finally happening, and a celebratory exhibition of the goth scene is being assembled in – where else? – Leeds, West Yorkshire. Goth City itself – and you can suggest what should be included.

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David Lynch, 1946-2025

I’m not a fan of horror movies. It’s a terrible thing for a proudly self-professed goth* to admit, that they don’t enjoy a widely celebrated aspect of their subculture. But I come to resent the carefully constructed method of provocation and suspense, or slew of shock and gore that is cunningly targeted to prod an audience in a pre-set direction of reaction. Jump-scares just piss me off.

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2025 and Online Anniversaries

Happy New Year, readers! As the headline goes, 2025 is also a milestone for me as a terminally online goth. I made absolutely sure I logged into a certain forum at a certain time, so I could grab this screenshot.

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“Songs of a Lost World” by The Cure

I’ve been waiting some time to weigh in on The Cure’s latest album, released November 1st this year. Songs of a Lost World makes that demand of you, to indulge the slow-burn experience of each tune washing over you like a midnight tide, from the miasma of languorous guitars that herald the expansive intro of Alone and the entire album, to the dark cacophony and taut feedback of Endsong that wraps up this incredible release.

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