Goth Teenagers, Depression and the Bristol Study

By now, some of you may have heard me speaking on BBC Newcastle radio (21:00), or even the Today Programme on BBC Radio Four (48:00). You might have heard Sylvia from the Sophie Lancaster Foundation, on BBC Scotland radio or seen Stacey Elder on BBC Breakfast in London.

Has the Velvet Revolution finally occurred? Are the dark clad masses sweeping into Parliament, ready to put Natalie Bennett on a green and black throne? No – a new study has been released that identifies a heightened risk of depression and self-harm in teenagers identifying with the goth subculture.

That has been enough for the media who ran with that as their headline, only to grudgingly acknowledge further down their articles that the researchers concluded there was no evidence to indicate Goth could cause these conditions at all.

Interestingly, none of them have discussed the significant statistical breakdown – approximately 3,500 people aged 14 to 18 were surveyed, who were all from the Bristol and Avon area. Of this group, just 154 (4.5%) identified with the Goth subculture. Of that group, just 28 (18%) flagged indicators for clinical depression, and 57 (37%) identified as being self-harm risks. These figures and the means of interpreting them are professionally discussed by sociologist Dr. Paul Hodkinson at the bottom of this blog.

What has concerned the researchers is that these figures are so high compared to the other subcultures surveyed. They’ve correctly linked identifying with the Goth subculture and evidence of depression and self-harm, but as both Doctor Pearson and Doctor Bowes stress increasingly on Twitter, and in this excellent podcast, this isn’t evidence of causation!

That is something it would be helpful for the media to hang onto. They are falling, predictably and repeatedly, into the tactics of ‘othering’ which has proven so successful for sales and clicks, by rendering Goth as some dangerous and foreign ‘influence’ leading teens into depression.

Media organisations want some external force that leads to someone contracting a mental health problem. A great example surely would be this ‘morbid fascination’ with the dark and spooky, listening to depressing music, and dressing in a fashion more akin to mourning than happiness.

The reality is, the potential lies within all of us – 350 million people suffer from depression worldwide, and 1 in 4 people in England will suffer from a mental health problem within a year. Goths, for the most part and in my personal experience, relish and engage with their melancholia and sadness, accepting it as a natural balance to happiness. Who can be truly happy all the time?

Of course, sadness is not quite as severe as actual depression. That media strategy of demonizing mental health, some irresistible ‘bogeyman’ come to corrupt people, can be seen as the root cause of higher proportions of depression and other mental health issues within Goth.

Mainstream society is suspicious and dismissive of problems like depression, whereas Goth is more familiar, more accepting of each other’s flaws. As a result, many people suffering will find themselves drawn to a more open society that actively disputes and rebels against mainstream opinions.

This made me wonder about other youth ‘tribes’ – those that all score so lowly in this survey about depression. As it’s purely self-declaratory, exactly how much would these young people tell us about their depression? Or are they inculcated with mainstream reluctance to engage with, discuss, or even acknowledge depression and the desire to self-harm? How much remains hidden, when Goths are given freer rein to discuss their problems?

Those are questions for society as a whole to field. Right now, I want to head off a lot of the media scaremongering, and reassure the parents of Goth teenagers, by doing again what the media fails to – point out the existence of mature, responsible and often even sane adult Goths!

In 2006, Dr. Dunja Brill of Sussex University produced a doctorate thesis exploring the lifestyles of Goths beyond their teenage years. She found that for the most part Goths were academic high-achievers with middle-class lives who went on to have successful jobs in respectable industries like law, architecture, and especially academia – Dr. Brill, Dr. Hodkinson, Dr. Catherine Spooner and many other academics who study Goth usaully have some personal involvement themselves!

Dr. Hodkinson followed up on his 1990 study of Goths by catching up with his subjects in 2011 – and discovering they were still embedded in the subculture. They had careers, families and all the adult responsibilities we are forced to embrace – but they hadn’t abandoned their alternative heritage. They were still proud of their interests.

Being into the Goth subculture should not be a cause of alarm for parents. It does not lead to developing depression or a longing to self-harm, as the Bristol researchers have repeatedly stated, and as Dr. Hodkinson has independently observed in his own blog. Instead, it’s a matter open to discussion and interpretation, that often helps people integrate their experiences with mental health into their lives and go on to enjoy themselves in a darkly-tinged creative fashion.

What people should really be concerned about is the lack of awareness displayed time and again by mainstream British media, and their tendency towards the lowest common denominator. I salute however those organisations that have reached out to the Goth subculture for our personal perspective.

I for one would be very keen to hear what those 150 Goths in Bristol make of this reporting.

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Depression amongst Goth Teenagers?

Good morning and welcome to The Blogging Goth! I’m currently at BBC Newcastle, in between interviews about a new study highlighting elevated numbers of depression amongst 14-18 year olds identifying as Goth.

I’ll be publishing a proper response later today, in the meantime please follow my Twitter for real-time updates!

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Sylvia Lancaster at Darkness and Light in Manchester

Days ahead of the eight year anniversary of the murder of Sophie Lancaster, her mother is repeating her plea for the law to classify subculture crimes as an official strand of hate crime.

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Sylvia Lancaster – whose daughter was murdered in 2007 for dressing ‘like a goth’ – is expected to make her appeal during a talk at The University of Manchester on 20th August, 2015.
The Sophie Lancaster Foundation Talk – to be held at The John Rylands Library – will give Sylvia’s personal perspective on Sophie’s murder, the trial and the work of the Foundation which was set up in her daughter’s memory to stamp out hate crimes.

In 2013, Greater Manchester Police began recording attacks on members of subcultures including goths and emos, as hate crimes. They were the first force in the UK to treat the offences in this way. Previously hate crimes were only registered for offences against race, religion, disability, sexual orientation or transgender identity.

In 2014 Sylvia was appointed an OBE for her tireless campaigning – she said her battle against ignorance will continue:

“I am proud of the work we have done over the last eight years raising awareness of the damage hate crime does to our communities.
“I am aware that there is so much more to do and take this opportunity to call upon other police authorities to follow Greater Manchester Police and the seven other forces in adding the strand of ‘Alternative Subcultures’ to their monitored hate crime categories.  My aim is to have all alternatives protected under this legislation.”

The talk, which takes place between 5pm and 7pm, is part of the free Darkness and Light: Exploring the Gothic exhibition currently running at The John Rylands Library until 20th December, which celebrates diversity and invites visitors to explore what Gothic means to them.

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The John Rylands Library – cited as one of the finest examples of Neo-Gothic architecture in Europe – is displaying Gothic treasures from the Library’s Special Collections. Literary gems of interest to the darkly-inclined include a first edition of the Strange Case of Dr Jekyll and Mr Hyde by Robert Louis Stevenson, and a first edition of the 1764 novel The Castle of Otranto by Horace Walpole – widely regarded as the first novel of ‘Gothic literature’.

The exhibition explores the role of women in the Gothic movement, advances in medical science and classic literature and showcases a gallery of photographic portraits of Goths from the contemporary subculture.
It also reveals how Gothic architecture and anatomy inspired and influenced a literary genre and left a lasting legacy which can be found in art and films.

Sylvia added: “This exciting exhibition that explores the Gothic culture is so relevant to our work at the Sophie Lancaster Foundation as, like us, it celebrates the creativity of ‘difference’ whilst educating people.
The fact that there are sessions for children and young people is so positive and I am delighted to be a part of this here in the heart of Manchester.”

Places are limited for this event but members of the public who wish to book a place can do so through the number 0161 306 0555.

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Scene of the Dead: Black Lipstick and Recycling

You can read a fantastic history of black lipstick here, that addresses its origins from Pharaoh’s Egypt through Maori culture and Hollywood’s genesis, to the early Punk and Goth scenes where it gained a foothold as a staple of appearance for alternative culture. Kudos to Broadly, a woman-focused division of the sprawling VICE media empire for an interesting and informative article.

What really chimed with me, and inspired this article, was writer Arabelle Sicardi’s closing statements on the appropriation of alternative fashion by the mainstream, repurposing it to serve as some bizarre ‘rebellious’ look.

“That’s the thing with alternative identities: they get adopted and made into something entirely different. Culture eats culture and spits it back out, an undying monster.”

A monster indeed; it allowed me to finally addressing the rising black-tinged tide of news about the Kardashians and their ‘Goth look’ that has been seeping into my inbox. The sentiment, the ideal goal, has always been not to judge people on their appearance, considering how many times such assumptions are inflicted upon us.

mouth-309144_1280However, it is hard to see the ‘socialite’ Kardashian family as doing anything more than holidaying in another culture. Such things occur of course, and we’ve stopped reporting on how – as the seasons turn colder again – fashion ransacks our wardrobes and repurposes all our unfashionable clothes as suddenly haute couture.

It’s that this suddenly renders our look and lifestyle somehow acceptable to trash media, consumed by people who normally hurl insults and even violence at us in the street for the way we look. The irony and insincerity is palpable and offensive.

So, thanks for the informative article, Broadly. And thanks for ending on a corny, dismissive note. Don’t forget, we seem to be the source of new ideas for when mainstream fashion has finished eating its own tail, again and again and again.


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American Gothic: PRAYERS and the new sound of Cholo Goth

Several articles, interviews and videos have recently appeared around PRAYERS, a duo in San Diego that fuse the diametrically opposed sounds of early Goth and cholo gang culture.

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Singer Leafar Seyer cites influences like Joy Division, has handpainted images of David Bowie and Aleister Crowley on the wall, and wears black nail-varnish and customised leather biker jackets.
He’s also fiercely proud of his heritage and his continuing membership in the Sherman Grant Hill Park 27 gang, his entire body tattooed with blood and gang ties. Watch their latest release, an incongruous cover of the Pet Shop Boy’s ‘West End Girls’ and see how proud and aggressive gang culture is mingling with the brooding melancholia of alternative music. This is Cholo Goth.

It’s a mashup even more difficult for the UK Goth community to envisage. Britain simply doesn’t have gang culture on the same level as the US, and what examples we do have are fiercely isolated from even mainstream culture, let alone any of the alternative groups.

Seyer cites legendary LA deathrockers Christian Death as another major influence, one which is visible throughout his work. This is a prime example of how US alternative culture has headed in a similar but notably different direction to the UK.
Whilst we had bands like Siouxsie and the Banshees, Joy Division and UK Decay arise from the ashes of Punk, America conjured up Deathrock, with bands like The Flesh Eaters, Gun Club and Rozz Williams’s Christian Death.

They created music tinged with horror, dark pop culture and religious influences that owed more to American Southwest voodoo than central European reformation Christianity. Their nearest UK equivalents were the original Batcave bands like Specimen and Alien Sex Fiend, embracing tongue-in-cheek horror-movie schlock rather than the ponderous, dirge-like rock of British second-wave Goth bands like The Sisters of Mercy.

leafar jacketsGenerations of subsequent bands in England would be influenced by Eldritch, but it’s clear that Rozz Williams is one of the guiding lights to PRAYERS music. Once again, America is taking Goth music in a startling new direction – embracing much of the established aesthetics but also encompassing new aspects like the tight-knit, familial bonds of gang and chicano culture.

Personal preference will count for much, but should they continue to ascend and build popularity, PRAYERS – handpicked by Ian Astbury to open for The Cult last year – could signal a major shift for American Goth culture.

leafarAll images taken from the PRAYERS facebook page, with thanks.

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